Category: Entertainment

  • Children and ex-manager fight over Ray Charles estate

    It’s been four years since Ray Charles died, but his name is still a money maker.

    However, his will failed to designate someone to manage his name and image after death, sparking a battle between his twelve children and his longtime manager, Joe Adams, 86.

    The family maintains that the singer’s trust has been mismanaged by Adams, Charles’s manager since 1961. The singer’s children, by several different women, also claim that Adams has tarnished their father’s name by releasing albums he wouldn’t have approved. They hope to gain more control over the estate, image, music and foundation of Ray Charles.

    Mary Anne Den Bok, mother of Charles’s youngest child, Corey Robinson Den Bok, has filed a federal suit on behalf of several of Charles’s 12 children claiming Adams was overpaid by $1.2 million in 2005 and 2006.

    The family will seek a formal investigation and audit of Charles’s estate, trusts and foundation. Although Adams has resigned as president of both Ray Charles Enterprises Inc. and the Ray Charles Robinson Foundation, the Charles family maintains that Adams still exercises control over the estate.

    The Los Angeles Times reports that although Ivan Hoffman replaced Adams as president, “a receptionist at Ray Charles Enterprises said last week that Hoffman was not currently its president. Hoffman and a company spokesman declined to comment.”

    After Charles’s death in 2004, Adams ran Ray Charles Enterprises Inc., as well as the Ray Charles Robinson Foundation, Charles’s charity organization. At one point, Adams held the position of president, chairman & treasurer of the foundation, which violated state law. He also had control of the trust funds for Charles’s children.

    This isn’t the first time attorney Mary Anne Den Bok has intervened in affairs related to the estate.

    In July 2007, Den Bok wrote a public letter on behalf of eight of Charles’s offspring, including Ray Charles Robinson Jr., David Robinson, Robert Robinson, Sheila Robinson, Raenee Robinson, Robyn Moffett, Vincent Kotchounian and Corey Robinson Den Bok.

    Den Bok spoke about the supposed threats Ivan Hoffman made to rescind the donation made by Charles to Albany State University. Hoffman was head of Ray Charles Enterprises at the time, and because of the delay in building a performing arts center in the artist’s name, he and Adams reportedly considered taking legal action against the university.

    In addition to disagreement over finances, Charles’s sons and daughters have taken issue with the creative direction of the posthumous career of Ray Charles.

    They have voiced their disagreement on the management of their father’s recordings, believing that the last two albums produced after Charles’s death would not have been approved by the artist himself.

    Even after the commercial success that followed the Oscar-winning flick Ray, posthumous releases, Genius & Friends and Ray Charles Sings, Basie Swings, sold poorly.

    Genius & Friends is a duet album, made by dubbing the voices of singers on old tracks Charles had recorded. Ray Charles Sings, Basie Swings remixes Count Basie with unreleased Ray Charles material.

    The albums sold 161,000 and 209,000 copies respectively, according to Neilsen. Sales showed a significant drop from the 3.2 million copies sold of Genius Loves Company, the last album recorded in his lifetime.

  • Judd Apatow and crew generate the ‘Apatow effect’

    The Judd Apatow team is back at it. Forgetting Sarah Marshall opens this weekend, and far as comedy feature films go, if Apatow has his name on it, it’s sure to be a hit.

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    Apatow is best known for Superbad, Knocked Up, The 40 Year Old Virgin, Walk Hard: The Dewey Cox Story, Anchorman: The Legend of Ron Burgundy and Talladega Nights: The Ballad of Ricky Bobby, all of which were made by his production company, Apatow Productions.

    The success of these films has even spawned the term “Apatovian.” David Denby of The New Yorker calls the leading male role in Forgetting Sarah Marshall “a recognizable Apatovian hero: he thinks obsessively about sex, and at the same time he’s an instinctively moral man.” Jezebel bloggers have written on the Apatow effect, best described as the tendency for beautiful women to date slackers.

    While Apatow might get most of the credit, his success can be attributed to another factor.

    He has a loyal and extensive crew of producers, writers and actors who have consistently contributed to his projects over the last ten years.

    Forgetting Sarah Marshall is produced by Apatow and Shauna Robertson, who works with him on most of his films. The script is written by lead actor Jason Segal, who has a long history with Apatow. Nicholas Stoller directs.

    Before his blockbuster success, Apatow had a small cult following for his teen comedy television shows Freaks and Geeks and Undeclared. Freaks and Geeks was cancelled after only 12 episodes in 1999, while Undeclared ran for 16 episodes in 2001.

    Both series starred Segal; Undeclared was written by Stoller. The Associated Press reports that after Apatow’s success with The 40 Year Old Virgin, he met with Segal, telling him, “Listen, I can get movies made now. Are you writing?”

    Segal then pitched his idea to Apatow and soon after, production started on Forgetting Sarah Marshall.

    Segal is joined in the project by actors Bill Hader and Jonah Hill, who had breakout performances in Superbad. Paul Rudd, of The 40 Year Old Virgin and Knocked Up, joins them, as does and Carla Gallo, who appeared in Undeclared.

    Apatow fans are accustomed to seeing familiar faces, even if only for brief cameos, but new actors also make appearances.

    Joining the pack and making their Apatow film debuts in Forgetting Sarah Marshall are Kristen Bell, of Veronica Mars and Heroes and Mila Kunis, known for her work on Family Guy and That ’70s Show.

  • Will Smith invests in PluggedIn, new music video site

    Three of the biggest companies in the music industry will be providing content for web-newcomer PluggedIn, which offers high-definition music videos and concerts to be streamed online for free.

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    Will Smith’s production company, Overbrook Entertainment, is the major investor. Overbrook Entertainment, which manages artists in addition to producing films, is partnered by Ken Stovitz, Smith’s former agent at CAA. James Lassiter, the producer of I Am Legend and Ali, also produces for Overbrook.

    Other investors include PluggedIn’s founding partners Kevin Welk and Brett O’Brien.

    PluggedIn intends to do for music videos and concerts what YouTube does for user-created content and Hulu does for TV shows. The company announced yesterday that its users will have access to content from Universal Music Group, as well as EMI and Sony BMG.

    The site describes itself as evolving from a “from a rare partnership between proven Internet entrepreneurs and successful music industry executives.”

    Jeff Somers, PluggedIn’s CEO, previously worked for Zillow.com, a website that estimates real estate values by address. He formerly worked in vendor relations for Amazon.com.

    Co-founders of PluggedIn include XDrive founder Brett O’Brien and chief marketing officer JJ Aguhob. XDrive was purchased by AOL in 2005. Kevin Welk, the CEO of Vanguard and Sugar Hill Records is also a founding partner.

    Nicola Marzolla, a former Yahoo software engineer, is an engineer for PluggedIn.

    PluggedIn’s content includes more than 10,000 free music videos, some of which can be streamed in high definition.

    Users can also save videos and photos of artists such as U2, Jay-Z, Amy Winehouse and Rihanna. PluggedIn also plans on serving as a social network, allowing users to connect to one another by sharing created playlists.

    The new content that PluggedIn is able to provide is the HD videos provided by EMI, Universal Music Group, and Sony BMG. The rest of their artist information comes from other websites.

    YouTube links are provided to fill in the gaps in music video and TV offerings. PluggedIn links to Amazon, StubHub and eBay to purchase music, concert tickets, ringtones and other merchandise. Artist bios are mostly provided by All Music Guide, and news listings go to outside sites such as MTV.com and newspapers. PluggedIn also offers content from Wikipedia and blogs.

    Will PluggedIn provide enough original content for users to be satisfied with the service they plan to offer? Considering the site doesn’t even have the HD music videos of investor Will Smith’s anthems Gettin’ Jiggy Wit It and Miami, PluggedIn’s success may be determined by future content acquisition.

  • Will MTV audience care who rocked the cradle?

    MTV’s Rock the Cradle has kicked off its debut season, but does the average MTV reality show fan even care about these celebuspawn?

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    The nine contestants are the children of musicians of the ’70s, ’80s and ’90s. Specifically, they are the offspring of band members from Twisted Sister, The Eagles, The Doobie Brothers and the artists MC Hammer, Kenny Loggins, Al. B Sure!, Eddie Money, Bobby Brown and Olivia Newton-John.

    MTV’s website describes the premise of the show, “Yeah, we’re searching for the next superstar, but this isn’t your average, every day singing competition. We’re shining the spotlight on children of rock stars to see who has what it takes to step out of the parental shadow and fulfill their DNA destiny. ‘Cause, really, isn’t everything better when celebrities are involved?”

    But really, how many typical MTV viewers even know the music that made the parents of these contestants famous? Aside from seeing episodes of Being Bobby Brown on Bravo and reruns of the movie Grease on cable, it’s likely that “Hammer time,” would be nothing more than a legend for today’s teens, MTV’s target audience.

    The contestants of Rock the Cradle sing each week, and the one with the highest score from the judges is safe from elimination. The rest have to depend on viewer support to keep them from being kicked off the show.

    The show is judged by Britney Spears’ former manager Larry Rudolph, choreographer Jamie King, and celebrity stylist June Ambrose.

    After the first episode, which aired last week, Lucy Walsh, daughter of The Eagles’ Joe Walsh, received the highest score, which isn’t too surprising. She’s the only contestant who already has a record deal, with Island Records.

    Rock the Cradle may get some success if the contestants can hold audience attention without relying on famous parents. It’s pretty certain that the fans of Kenny Loggins, The Doobie Brothers and Olivia Newton-John aren’t tuning in to MTV regularly.

    Rock the Cradle airs on MTV on Thursday at 10 p.m.

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  • Heston’s journey from left to right

    He played Moses and Michelangelo, but Americans under 40 are more likely to know Charlton Heston as the conservative activist who walked out on filmmaker Michael Moore.

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    Heston, who died Saturday night at the age of 84, was once the best-paid actor in Hollywood thanks to his iconic roles in films such as Ben-Hur and The Ten Commandments. After making Planet of the Apes in 1968 and The Omega Man in 1971, however, his acting career went into decline even as he gained prominence on the political stage.

    Those who recall him as president of the National Rifle Association may be surprised that Heston started out as a liberal Democrat. He campaigned for Adlai Stevenson in 1956 and John F. Kennedy in 1960. He opposed Hollywood censors’ attempts to prettify the language in Ben-Hur. He supported a gun control law, passed under President Lyndon Johnson, that forbade addicts and federal convicts from owning guns, and regulated interstate commerce in firearms

    He was also a leading advocate of civil rights, raising money for the cause and joining Martin Luther King Jr.’s March on Washington in 1963 along with Harry Belafonte, Jackie Robinson, Paul Newman, Josephine Baker and Bob Dylan—none of whom can be imagined as a conservative. Two years earlier, he had picketed a segregated theater in Oklahoma that was showing one of his movies.

    “We certainly disagree with his position as NRA head and also his firm, firm, unwavering support of the unlimited right to bear arms,” said Earl Ofari Hutchinson, president of the Los Angeles Urban Policy Round Table, a civil rights group. “Charlton Heston was a complex individual. He lived a long time, and certainly, there were many phases. The phases we prefer to remember were certainly his contributions to Dr. King and civil rights.”

    As he got older, however, Heston’s politics swung rightward. He seemed to follow the lead of Ronald Reagan, who had preceded him as president of the Screen Actors Guild (”Ronald Reagan was my president before he was yours,” Heston once wrote) and also as a liberal Democrat. Heston campaigned for Reagan and for both Bushes when they ran for president.

    In a 1997 speech, he deplored a culture war being waged against “the God fearing, law-abiding, Caucasian, middle-class Protestant–or even worse, evangelical Christian, Midwestern or Southern—or even worse, rural, apparently straight–or even worse, admitted heterosexuals, gun-owning-or even worse, NRA-card-carrying, average working stiff–or even worse, male working stiff–because, not only don’t you count, you are a downright obstacle to social progress.”

    He resigned from Actors Equity, calling the union’s refusal to allow a white actor to play the part of a Eurasian in “Miss Saigon” “obscenely racist.” By then, he also opposed affirmative action and criticized CNN’s coverage of the Gulf War as sympathetic to the Iraqis.

    A staunch defender of the Second Amendment, Heston was elected president of the N.R.A. in 1998. “Those wise old dead white guys that invented this country knew what they were talking about,” he said.

    Perhaps his most famous moment at the organization came at its 2000 convention where, paraphrasing an N.R.A. bumper sticker (”I’ll give you my gun when you take it from my cold, dead hands”), he waved a replica of a colonial flintlock above his head and shouted, “From my cold, dead hands!”

    Michael Moore visited Heston to talk to him for the 2002 anti-gun documentary, Bowling for Columbine, But Heston appeared angry and flustered by Moore’s questions and walked out on the interview. Moore, who was criticized by some for “ambushing” Heston, posted a picture of the actor on his web site after he died.

    In 2002, Heston was diagnosed with Alzheimer’s disease. “If you see a little less spring in my step, if your name fails to leap to my lips, you’ll know why,” he said in announcing his condition. “And if I tell you a funny story for the second time, please laugh anyway.” He withdrew from public life, resigning from the NRA in 2003, although he accepted a Medal of Freedom later that year from President George W. Bush.

    “The largeness of character that comes across the screen has also been seen throughout his life,” Bush said.

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  • Jay-Z cuts 2 deals – with Live Nation & Beyonce

    Jay-Z has had a big week. The rapper is expected to finalize a contract with Live Nation records soon worth $150 million. If that weren’t enough to celebrate, last night he reportedly married his superstar girlfriend, Beyonce Knowles.

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    A source reports to People magazine that the couple married last night at and celebrated at Jay-Z’s New York penthouse apartment with a small group of family and friends, including Beyonce’s former Destiny’s Child band members and celebs like Gwyneth Paltrow and husband Chris Martin.

    Although the couple has yet to confirm their marriage officially, they were spotted last week in Scarsdale, NY obtaining a marriage license.

    In addition to paying Jay-Z $25 million up front, Live Nation would also finance his future endeavors, including any talent consulting, clothing lines, tours, albums, and record labels that the rapper would work on in the future. The conglomeration of Jay-Z’s efforts would be labeled Roc Nation. The company would then split future profits with Jay-Z.

    Jay-Z is known for his entrepreneurial success outside of the music business. He has made significant achievements in both the fashion and nightlife industries. He founded Roc-a-wear, a clothing line he sold for $204 million last year. He also started his own nightclub, the 40/40 club, which now has locations in New York, Atlanta, and Las Vegas.

    Although Jay-Z still owes another album to Def Jam records, where he held the position of president until December 2007, he will be paid $10 million per record by Live Nation. His contract will require three albums from Jay-Z in the next ten years.

    This deal will further cement Jay-Z’s departure from his self-proclaimed retirement. In 2003, when he released The Black Album, Jay-Z announced it would be his last studio album. In 2006, he released the album Kingdom Come, which he followed with American Gangster, an album meant to accompany the Denzel Washington film.

    Live Nation will ink the long-term deal with Jay-Z even though his last album, American Gangster, did not garner the same success of his previous records, selling about one third the number of records that The Black Album sold. Jay-Z refused to release American Gangster on iTunes because believed the album should be purchased as a whole and not by individual tracks.

    This is the third major deal Live Nation has made with a top recording artist. The company signed a similar deal with with Madonna in 2007 and another with U2 earlier this week, worth $120 and $300 million, respectively.

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  • Diddy on the way to a hat trick?

    P. Diddy, Puff Daddy, Sean Combs, Diddy: It doesn’t matter what you call him, this man is a hit maker.

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    Diddy has put together two successful bands through his Making the Band franchise: Danity Kane and Day26. They have officially taken over the charts.

    According to Nielsen SoundScan, Danity Kane’s sophomore album, Welcome to the Dollhouse, sold 236,000 copies in its first week. The album was released on March 18.

    Yesterday, Billboard reported that Danity Kane dropped from the top position on the Billboard 200 chart, and was replaced by Day26’s debut album. Day26 sold 190,000 records in comparison to Danity Kane’s 89,000 this week. Both groups are on the Bad Boy record label, which Diddy heads as CEO and founder.

    Diddy is also the mastermind behind the Making the Band TV series on MTV. He put together the all-female pop/hip-hop group Danity Kane by eliminating potential candidates on the reality show Making the Band 3, which he produced. Danity Kane released their debut, self-titled album in 2006.

    This year, he followed Danity Kane’s success with another season of Making the Band, in which he searched for members to make a soulful male R&B group. Making the Band 4 conceived the band Day26 and solo artist Donnie Klang, who didn’t make the band but was signed to Bad Boy records anyway.

    Klang is expected to release an album soon, although a release date has not yet been announced. His first single, “Take you There,” which features Diddy rapping, is currently available on iTunes.

    If Klang’s album hits number one when it’s released, Diddy will have produced a hat trick of top albums and will be paving the way for a successful Making the Band Tour. It was announced on the Making the Band finale that Danity Kane, Day26, and Donnie Klang will perform together in various cities this summer.

    Making the Band certainly doesn’t portray Diddy’s modest side. Throughout the show, Diddy flaunts his star-status, shows off his wealth and refers to himself as the best in the business. Diddy even coins his own phrase, “Bitchassness,” which he stamps on a T-shirt, now commercially available through his clothing line Sean John.

    After all the bravado and bragging, the charts have confirmed what Diddy has stated all along: He is on his way to re-establishing Bad Boy Records as a hip-hop empire, a status it hasn’t held since the late ’90s when was at its peak with leading artists Notorious B.I.G., Mase, 112, and Diddy himself.

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  • Actors’ unions split on contract talks

    After the disruption of the 100-day writers strike, Hollywood is growing uneasy because of the actors’ pending contract negotiations.

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    The two actors’ unions – the American Federation of Television and Radio Artists and the Screen Actors Guild – parted ways Saturday after 27 years of negotiating TV and film contracts together.

    AFTRA represents over 70,000 artists, while SAG boasts almost 120,000 members.

    AFTRA made the move to end joint negotiations with SAG. AFTRA president Roberta Reardon explained the organization’s decision to separate from SAG in a letter to AFTRA members posted on their website on March 29.

    The split was caused in part by one particular incident, involving the daytime soap opera The Bold and the Beautiful.

    Reardon wrote that some of the leaders of SAG have encouraged cast members of The Bold and the Beautiful to decertify AFTRA as their union.

    She says, “The people leading this drive apparently believe that decertifying AFTRA would further the goal of having one union for all actors. In fact, it would do the opposite … This situation is sadly not surprising given SAG Hollywood leadership’s ongoing campaign of misinformation to disparage AFTRA.”

    Reardon adds, “How could we sit beside SAG at the bargaining table at the same time that its leaders in Hollywood are conspiring to undermine the gains we’ve achieved for all performers?”

    Alan Rosenberg, the president of SAG, has called AFTRA’s decision “calculated, cynical, and may serve the interests of their institution, but not its members.”

    The unions will negotiate separately with the Alliance of Motion Picture & Television Producers. Contracts for both expire on June 30.

    Both unions are scrambling to be the first to negotiate with the AMPTP.

    AFTRA has said it is ready to begin talks as soon as possible, on its own. Rosenburg told the New York Times, “We have to move much more quickly than we wanted to.”

    Rosenberg told the Hollywood Reporter, “It’s only right that we’re the ones to go to the table first … They have no movies and three TV shows. It’s not right that they set the standard.”

    The Hollywood Reporter also reports that Reardon spoke yesterday with AMPTP president Nick Counter, telling him “AFTRA is taking a sane approach to these negotiations…It’s not about hysteria and emotion, it’s about getting what’s right for the members.”

    The unions haven’t separated entirely. CeCe Dubois, Frances Fisher, Maureen Donnelly, Sumi Haru and Suzanne Burkhead currently serve as directors for both AFTRA and SAG.

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  • The Oceanic Six Take a Break

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  • Lawsuit Settled Over Beach Boys Name

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